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{Wed 18 February 2009}   Watercolour revisited
Watercolour revisited

It’s amazing how a fresh project and the smallest amount of feedback can help one to see old work with new eyes. I’m working on my first e-poem – a conversion of an existing paper-based one. Discussion in the E-Poetry module of the MA made me realise that some of the poem’s “argument” had never made its way from my head to the page. In trying to describe my first experience with watercolour painting, which challenged all sorts of preconceptions I’d held about the medium, I was so focused on my emotional response that I hadn’t given a clear enough picture of the activity to justify my response.

I’ve brought back some structures (layout, punctuation) that I used in earlier versions, but also introduced a few new words, including a whole new line, and deleted some unnecessary ones. I’m pleased with the textual result now (the e- bit is still to come), although in two minds about the title – should I revert to the original title of “Watercolour”, or retain “Primeval Watercolour”?

You can see one of the many earlier versions here, if you’re interested, but here’s the latest version:

Watercolour

Primaries pounce
on the primitive page,
usurping space with bizarre pizzazz;
opposing waves squall and break,
brim-brilliant crests crash,
create a jazz of chaos:
interference drags a screaming thread of blue
across careless orange splotches;
raging red gobbles new green;
panicking through cooling pools of sulphur,
a purple pulse breathes whirls of fire,
willing them to swirl against caking air,
to savage expectations, flay the fair
and even strokes of intent
with edges of the depths,
fan water into flame
with split-atomic spatterings
of aquamarine and shame,
shatterings
of line, design, all reason—

Oh, Image, imagine
Imagination’s breathing:
Ruwach!

Update 12Aug09: See the digital version of this poem here.



The Loquat Tree

Following the “film of  your life” exercise in our Memoir workshop with Jonathan Taylor, one of the next instructions was to create ” the photo of your life” by choosing one of the memories to “write a passage describing minutely where you were, what you were wearing, what was around you (scenery, furniture, wallpaper, carpets, flowers, etc.), who else was there, what happened, what was said, and so on. Be as detailed as you possibly can. If you can’t remember details, make them up.”

I found this exercise interesting  because it caused me to doubt the accuracy of my memory, and also because it engaged my interest in research!

One thing that struck me as I read the question and looked for instances in my descriptions to answer it, was that I have absolutely no memory at all of what I was wearing at any point.

I had decided to write about climbing the loquat tree, but as I tried to describe the texture of the bark, and its smell, I suddenly wondered whether I was remembering it correctly, so I looked it up on Google. I found very many sites giving descriptions of “Eriobotrya japonica”, with varying assessments of the size of the mature tree, the number and prevalence of its varieties and fruit colours, and contradictory descriptions of it as a “shrub” or a “tree”.  I am sure that the tree in our garden in Northcliff was very large; clearly it had been there for many years (although a smaller tree may be “large”, when one is seven years old, of course, but I know that it was climbable).  I am also sure that it was not a “shrub” – I remember a  large single trunk, although it was vertically ridged, so possibly the individual “shrub” branches had grown together over many years. This is possibly why I found hand- and footholds to enable me to climb. The shrub-like growth of the higher branches may also be why I remember that it was not very comfortable to sit in the tree for long periods of time (as I sometimes did in other trees).  Suddenly, simply “remembering” is not very simple at all! But the discoveries I make during the process are intriguing, and I see why it may be necessary to “make things up”. Even if I base my descriptions on research, so that they are “likely” to be fairly accurate, that does not make them into my own memories.

Anyway, here’s what emerged:

————–

My hands slid over the bark of the tree, seeking purchase. The bark was smooth over the sinuous vertical ridges of the separate boles that had grown together long ago to form this wide trunk, but split in places by small lumpy outcrops or the base of a broken-off twig.  I loved the occasional harshness that pressed against my skin, and the smell of the dust disturbed by my hands as it mingled with the strong oriental perfume of the few white flowers that had not yet given way to fruit. As I found a handhold, then another, then a foothold, I entered the world of the tree, leaving sunshine and everything else behind. My goal was the sweet orange-yellow globes that I could see hanging amidst the shiny dark green leaves above me. I heaved myself up, scraping my tummy against the cool wood as I stretched for branches small enough to hold onto securely. It was only when I had settled, breathless, into the sharp fork between two of these branches, that I noticed I had grazed my knee. It wasn’t sore. I studied the greenish-grey dirt around the broken skin. It must have rubbed off the tree bark as I climbed. Then, as a shaft of sunlight played across my shoulders, I lost interest in the wound and looked again towards the golden fruit. Placing my left foot uncomfortably into the sharp fork beneath me and the right on a knot in a neighbouring branch, I seized the branch in front of me with both hands and stood up. From this position, I was able to reach up and break off a cluster of the fruit. I had done it! I noticed that I could now see through the leaves into the lower garden. Apart from the fact that the grass was fairly short, there was no sign of human habitation or civilisation. Inside this tree, clutching my prize, I was king of my own wild world.



Ode to Autumn by John Keats – Wordled by Tia

Today we had a fun exercise for the E-Poetry module – take a classic (out of copyright) poem and convert it into an e-poem. Using Wordle feels like cheating, because it’s so easy, but I think the effect is rather pleasing. I just played around with colour choices a bit to obtain an Autumn palette, and fiddled with the randomization and shape to get the impression of Autumn leaves swirling in a park.

Click the image to be taken to the larger version on the Wordle site.

Oh, by the way, “Anonymous” is me. I didn’t realise the implication of attribution when I chose not to input my name. Moving too quickly…

Ode to Autumn by John Keats



The subjective truth of memories for Memoir

This week in the MA we’ve been working on Memoir. There has been useful discussion around the subject of “truth” in the genre: the difference between memoir and biography, the necessity of being entertaining in order to attract a publisher and an audience, and therefore the necessity of holding to a theme, being selective in what one portrays,  which might mean not telling everything, or even embellishing sometimes  in order to hold the attention… what this means for a supposedly “non-fiction” genre, the expectation that the audience understands that a memoir presents subjective rather than objective truth, etc.

For an exercise, we were instructed to run “the film” of our lives, beginning with our earliest memories, fitting in what we could in ten minutes. I took a little longer over it, as the act of remembering in this way is foreign to me and I felt I was exercising nearly-atrophied muscles. I found that I remembered impressions rather than events – and for some reason they are all to do with being outside in the garden. It was difficult to write a quick list, because the act of writing is actually what draws out the memory for me. I start with a fleeting impression and can’t progress to the next one until I’ve dragged it out to coherence word by word. I also checked a few facts with my Mom, with a startling result in one case. This is what came to me (it is unpolished – the exercises that build on this one are better written – see subsequent posts).

————–

I remember cherry trees when I was three years old – how I loved the hugeness of those three trees in our back garden and how exciting the long cherry season was. They were different types of cherry so the fruit kept coming for ten weeks (I have that time detail through checking with my mom now). We only lived in that house in Linden, Johannesburg for a few months. There was also a swimming pool incident – I remembered that my brother (Ian, one year old) nearly drowned in the low water that was left after it had been drained for repair, but my mom tells me now that it wasn’t my brother but our friend Trevor, who was slightly younger than Ian.

We moved from Linden, Johannesburg to Cape Town. The house there had very thick walls – I don’t have a visual memory of these, but they felt solid and cool and the fact that they were thick has stayed with me because there was an earthquake while we were there and much was made of the fact that the house didn’t fall down. I associate our faithful, not-too-beautiful, but very much beloved dog, Juno, a boxer, with the garden of this house – a spacious half-acre with no trees – maybe that’s why it seems spacious in my memory. (In fact, my mother tells me, we acquired Juno from the SPCA when I was two and we were living in Parkview, Johannesburg (before we moved to Linden). Mom says that Dad and I set out to rescue her from imminent euthanasia at the prompting of a dog-finder who had been unable to find our lost Rhodesian Ridgeback who had wandered. As I was only two, I hardly think I was the initiator of this noble mission, but who knows? I don’t remember any of it.)

In another house, in Northcliff, Johannesburg, where we lived for three years (my age – six to eight), I remember a quince tree in a neglected corner of the garden behind the house. It wasn’t an attractive climbing tree (or bush? For some reason, I think of it as a bush) but mysterious because we were unfamiliar with quinces – no one really knew what to do with them. The light yellow fruit was so large, but so inedible! There was also an avocado tree, I think, which didn’t give much fruit so we thought of it as a disappointment. In the large front garden, there was an enormous loquat tree. I could climb into this, with difficulty. I liked the difficulty and the way it made me feel especially agile and clever when I overcame it. The fruit was tasty when ripe, but awfully bitter when not. Although the ripe orange-yellow fruit was smooth to touch, I seem to remember that it was also furry at some stage – maybe in early development or just around the base?

As I think about that loquat tree, more impressions from the outside of the house begin to cluster around it. There was a large swimming pool with a tough blue plastic cover over it. I remember the smell of that plastic, and its yielding support underfoot when we walked on it (which was very exciting as we weren’t allowed to do it). I think there was also a wendy house or a shed or other such hiding place at the bottom of the garden beyond the loquat tree – or if there wasn’t, we children met there as though there were when we pretended to be Peter (me) and Jane (I forget whose role that was) and others from Enid Blyton’s Secret Seven. I also remember games where I was an Indian warrior called Bravery. I presume my brothers were cowboys – oh yes! I remember the cap guns – toy guns that would give a loud report as they were fired – simply a hammer coming down on a strip of tape, and the smell of the tiny curl of smoke that would rise from the gun. I always preferred a bow and arrow – I’d somehow formulated a concept of the noble savage – must have been from something I’d read.

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{Mon 2 February 2009}   Seeking the ideal daily routine
Seeking the ideal daily routine

Sue Thomas posted this question under Talking Points in our Creative Nonfiction module today:
I came across this very interesting website http://dailyroutines.typepad.com/ which prompted me to ask – what is your daily routine? Do you have one? Do you wish you had? What works for you?

I found this website fascinating. One thing that struck me particularly was how few writers write for more than three or four hours a day. Another was how many of them write in the morning. I am also a morning person. Sometimes, I jump out of bed with a huge sense of urgency at 3, 4, 5 or 6 and head straight to my computer. If I do start writing then and if nothing else actively demands my attention (I am very good at procrastinating about things that should be done but aren’t actually shouting at me), then I can write or design projects easily until 11 or 12 am.

Usually, though, I have a much more disciplined routine which results in far less writing! This is because I’m married. Because I currently work and study from home and my husband has to travel to work, all the housework and catering falls to me. His necessary routine dictates mine. We rise at 7 (if I’m not already up) and I must have a cooked breakfast on the table by 8am at the latest so that he can be at work by 9. I usually fit in some housework and about 45 minutes of exercise between 7 and 9 as well. I am much more regular about exercise if I do it in the morning. If I miss, sometimes I can persuade myself to get on the stepper in front of the TV in the evening, but I have to talk to myself sternly to make myself do this!

From 9 I’m back at the computer and work through until 12 or 12.30, when I break for lunch for an hour (in which time I’ll do some laundry and possibly get onto the stepper in front of the TV if I missed it in the morning). Then at 13:00 or 13:30 back to the computer until 6.30 pm. I often have a concentration slump somewhere between 2 and 4pm, so I might read online news, answer emails, browse websites or even watch TV then. At 6.30 I start preparing dinner to serve at 7pm (I don’t do fancy cooking!). By 8pm I’ll finish clearing up, laying the breakfast table and preparing my husband’s work lunch for the following day. Then it’s time for any collaboration with him on online projects or domestic issues, or if we don’t have anything pressing, we’ll both return to our computers until 10pm (well, we always say 10pm, but inevitably end up only getting into bed by 11 or later because he’s a night owl).

I deal with household admin and finances – property, banking, insurance, investment issues, etc. for at least an hour a day. Most of this is online or call centre work which I dislike intensely, and some letter-writing, and it usually goes better if I do it in the morning, but I often leave it until late in the afternoon.

Unfortunately, I don’t function well on less than 8 hours’ sleep, or if I get to bed any later than 11pm. I would so love to be one who could manage on 6 hours!

Sometimes, when I’m deeply engaged in a project or piece of writing, none of the above applies. I’ve been known to spend 12 to 18 hours solid at my computer, only drinking or eating when my other half realizes that I’m shrivelling up and brings me something.

So, that’s my reality, which doesn’t really work for me. One possible improved schedule would be:

06:00 Yoga, self-care, planning
07:00 Light breakfast; read
07.30 Write, study
11:00 Online chores
12:00 Lunch (main meal); read or walk
13:00 Write, study, work
17:00 Housework, dinner prep with music
18:00 Walk or read
19:00 Light dinner and clearing up with music
20:00 Read, play games, collaborate, dance, singing, drawing or music practice
09:00 Prep for sleep
09:30 Read in bed
10:15 Sleep

Seems so simple…. why is it so hard to make this happen regularly?

One answer: Csikszentmihalyi talks of the “activation energy” needed to transition into activities that produce flow, and of the dangers of the lure of passive activities like TV that require very little activation energy. TV is a big problem for me because it’s easier than all the other things. If I could, I would throw it out, but hubby won’t hear of it. Although, recently, I’m glad to report, I’ve been so interested in what I’m learning and doing on the course that I’ve been watching a lot less.

I’d be happy to hear what routines others have or have tried in the past, and especially what motivates you to stick to them.

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{Thu 29 January 2009}   Photo Essay: Deep Walking

Photo Essay: Deep Walking

(to Park Abbey near Leuven, Belgium)

This week in Creative Nonfiction we’re looking at the Essay form. I’ve glimpsed a world of textual delights through the windows of the few references I’ve had time to follow, such as those in The New Yorker, or The London Review of Books, but I’ve also been introduced to the concept of the Photo Essay. So… make one of your own, they said, they did. So I did. It’s a humble start, being just a little meditation on the journey of life (or one possible path of many in life), but the pics are nice, even if the “story” doesn’t grab you:

Deep Walking


{Sun 11 January 2009}   Story and Story of Story

Story and Story of Story

After submitting work to an Online Workshop for the Methods module of the Online MA in Creative Writing and New Media (MACWNM) at De Montfort University, students were asked to write a critical commentary describing their creative process in making the work and in responding to feedback on that work. Throughout the Methods module, several models and tools helped us understand the creative process while engaging in it. I was fascinated by the two different kinds of writing, storytelling and commentary, arising from one starting point. I determined to learn to do both well.

This response attempts to showcase this learning.

Fruit and Veggie Stall by Monique Jansen
Fruit and Veggie Stall by Monique Jansen


{Sun 11 January 2009}   Saving The Market Way

Saving The Market Way

In a time-pressed world, it’s hard to resist the enormous convenience of supermarkets. It’s two minutes’ walk to my local Marks and Spencer’s. This proximity allows me to indulge my worst habits of laziness, last-minute catering and impulse-buying. I can delay domestic drudgery until five in the afternoon, safe in the knowledge that I can rescue my dinner party by popping in to that purveyor of guilty pleasures such as dressed chickens, prepared vegetables and decorated desserts.

Over the past few years, however, I’ve had an uncomfortable pricking of conscience on two fronts. The global warming crisis has given rise to much speculation over the role of supermarkets in promoting short-cut farming methods and over-packaged products. More recently, the credit crunch has forced me to consider closely how much I spend, not only on luxuries, but also on essentials. This is why, one day, I decided that I must do my bit, for the environment and for my domestic economy, by trying out a local market. After looking up recommendations and directions online, I felt fully equipped to try out the real thing; convinced I’d return feeling more virtuous and richer than I usually do after a shopping trip.

On a warm, spring Saturday, I set off, with curiosity and a sense of adventure, along a road I had often used, but from which I had never spotted anything that looked like a market. Was it a mysterious shopping underworld that manifested only to those in the know? The Google map was easy to follow, though, and I soon found Lodge Lane Car Park. A non-descript lot behind the main street shops, one wouldn’t notice it in the course of daily business unless one needed to park there. This market day, however, it had transformed into a colourful, ant colony of commerce. Hawkers’ cajoling cries soared through my open window over a hubbub of conversation and movement. Pleased at my discovery, I swung into a bay, killed the engine, distributed about my body all necessary shopping accoutrements, and sallied forth to sample market fare under the benevolent sun.

Immediately in front of me was a large stall brilliant with blooms. A mixture of rose and freesia fragrances wafted toward me. At the entrance, two towers of lazy-eyed susans glowed amongst blue and magenta clematis. Behind them, cerise geraniums tumbled over the edges of a turquoise pot, and consorts of cosmos in mauve, white and purple nodded alongside. Enquirers besieged the smiling, silver-haired stallholder while her burly companion broke off to right a fallen cloud of mauve fluff. The insubstantial mist of flowers gave the light breeze sufficient leverage for play, and the pot was dancing. After several attempts, he left it prostrate before its admirers, and went back to selling daisies.

Beyond the floral drama, I squeezed into a narrow passage between blue plastic walls on which were tacked a determined, but tasteless, array of mobile phone covers, thongs and baseball caps. Hurrying toward the light at the end of the tunnel, I burst out into a mêlée of one-pound-T-shirt shoppers, intent, as they ripped the clear plastic packages, on finding the colour or size they simply must have at that price. Greens, yellows and blues, juggled from hand to urgent hand, floated above hasty trestle tables before settling into seething piles of discarded items. Less agile browsers burrowed into these volatile mounds, risking life and limb for the red or the orange. Taking a gulp of air, I plunged in, nimbly rescued three still-cellophaned shirts, deposited three coins into a smuggler’s hand and exited on the same breath.

A kind of optimistic sanity prevailed in the organic area. People were bustling, but grounded by the smell and touch of soil-moist carrots, celery, tomatoes, potatoes, cauliflowers and broccoli. They pottered happily between enormous oranges, blushing grapefruit and rows of multicoloured nectarines ripe for eating. Begging a large broccoli box off a stallholder, I filled it quickly. The huge strawberries and fresh black cherries were so cheap! I had to quell the impulse to dive in with both hands, fending off other comers with my elbows like a one-pound-T-shirt veteran. Instead, I hoisted the sagging box onto my hip and enjoyed the market banter as I waited for the scales.

At last it was my turn. The overwhelmed vegetable attendant rechecked her snake of figures; I paid her and returned to the car in high good humour, pleased to have bought so much for so little. The new T-shirts were perfect for our upcoming beach holiday, and we would eat well and guilt-free at dinner that evening and for the coming week.

Still in this happy haze, my attention was caught by a bright yellow square on the windscreen. Startled, I scanned the vicinity and saw that I was, indeed, parked under a large sign listing parking charges, which my rose-tinted spectacles had blanked out completely on arrival. The morning’s savings were wiped out. As I stood there indecisively for a moment, the burly flower-stall man caught my eye. He took in the situation at a glance and pointed to the sky, “At least the sun is still shining!” He had a point. Inside M&S, I wouldn’t have noticed the weather.

Listen to the audio version of this story (Market Magic).

See a Feedback Action Plan created from feedback received on this story.



{Wed 10 December 2008}   Apostrophising the apostrophe

Apostrophising the apostrophe

“Oh, great squiggle in the sky, insert yourself into our empty spaces,
Deliver us from plural confusions and possess us with your graces!”

Tia Azulay

No, I’m not starting a new religion, or being lewd, but I confess that this is a shameless grammar and punctuation plug, as well as a plea for the improvement of our reading environment. While I’m sure that none of us at Master’s leveli would ever dream of intentionally inflicting on others a piece of work for reading or review without running it through MS Word’s spelling and grammar checker first, the simple truth is that this less-than-beloved software doesn’t pick up everything, so we simply have to learn a few rules if we want to be writers.

Of all the errors that grate on my reading nerves, the misuse of the apostrophe definitely tops the list.

Good and bad (use of) apostrophes

I love apostrophes, because they’re really useful. However, they’re pointless when used in the wrong places. In fact, they’re worse than pointless then, because they actually interfere with smooth reading. A bad apostrophe is not neutral, it’s negative! In the worst cases, it alters the meaning, but even when the context tells me that it just can’t mean that, just one bad apostrophe in a paragraph, even in an entire page, makes whatever I’m reading seem unprofessional. I immediately find it difficult to focus on the content, even if I’m really interested in it.

I’m very lucky in that I was well-drilled in spelling, grammar and punctuation at my school (we were always a backward lot out there in the colonies, so we didn’t “benefit” from educational fads like the “grammar inhibits creativity” one that has betrayed recent generations of UK children), but I still come up against the occasional grammatical situation where I have to think twice about the apostrophe.

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{Sun 7 December 2008}   The meaning of “home”

The meaning of “home”

Another recent creative writing exercise for our course (the Online MA in Creative Writing and New Media) was also based on a popular trAce project, now archived at http://tracearchive.ntu.ac.uk/home/

It asks several questions about the meaning of home … here are the questions and my responses.

Q. What does the word “homemean to you?

“Home” conjures images of open spaces, blue skies, trees, grass, animals; freedom to walk barefoot when and wherever I wanted to, room and time to run, play, think and read, read, read – this is not my present home, but one of those that I believe I knew and for which I yearn. There was also much, much aloneness, but I did not call it loneliness then.

Q. Please describe the home of your childhood.

I lived in South Africa until I was thirty. There were many homes, but one stands out in my memory, particularly from the period before I went to boarding school at the age of eleven.

We moved to Bryanston, Sandton when I was eight. It was a three-acre property with a lovely farm-style house that my mother had inherited from my grandmother. As a younger child, I had visited her there a few times before her death and had even stayed with her for a week. Then, I found the house strange and cool, musty and lonely, because grandmother herself was strange to me. However, once we had moved in, it very quickly became our house.

I remember the whole property as beautiful, and I remember the additional delight that each new beautification brought to all of us, but especially to my mother, who energised each change — the extension to the lounge that brought light in everywhere, the Oregon pine floors that I proudly helped my father to lay, the enormous new main bedroom with built-in cupboards lining its entire length on one side, big enough to hide a built-in sewing station and to give access through a cupboard door to a magical en suite bathroom with a huge picture window.

I loved my father’s study. It was lined with floor-to-ceiling bookcases that he had built himself from golden pine. The lines of books were broken with staggered double-volume frames that gave space for lamps and objets d’art, so the small room was never oppressive, even with its thousands of books. There were good science fiction from Isaac Asimov and Robert Heinlein and bad science fiction from Andre Norton, good romances from Georgette Heyer and bad romances from Barbara Cartland, good westerns from Zane Grey and bad westerns from Louis L’Amour, good thrillers from Graham Greene and less good thrillers from Ian Fleming; there were adventure stories from Edgar Rice Burroughs and H. Rider Haggard, encyclopaedias and dictionaries and Greek myths and fantasy novels and children’s stories, including the complete series of Biggles, Just William, the Hardy Boys, Nancy Drew and Enid Blyton. All of these, and more, he and I devoured. From that study, I took my heroes out to the garden to become them. I was Tarzan (my brothers were the apes), I was Lord Greystoke, I was John Carter of Mars, I was Hiawatha, I was Robinson Crusoe, I was Peter Pan… I was never a girl, because they were seldom heroes, although Georgina from the Famous Five was alright, because she was a tomboy and could climb trees, like me.

The garden was not manicured like those of our neighbours, but it was a wonderful wild space for me and my younger brothers. Pretty Jacaranda trees lined the boundary with the busy main road. There were also two huge Acacia Elata trees, with dark brown bark and dark green leaves, that were easy to climb all the way to the top. Unlike our neighbours, we had no wall or fence along that road, although my parents had created inside the line of trees a row of grassy hills from building rubble and soil to act as a sound barrier. I loved to sit at the top of the tallest tree, alternately playing my recorder and singing my heart out, sometimes for hours. Inside the main garden, there were a syringa and a willow and a yellowwood, and many other trees. My favourites were the small Chinese oak that turned brilliant shades of red and orange in Autumn and the huge tree down the slope from the patio which my brother called the helicopter tree because of its winged seeds. From its huge branches hung our car-tyre swing and the birdhouse for the twenty or so white doves that my mother had installed on a determined whim. As they were not caged, the population, inevitably, did not remain pure white, but we loved to see them coming and going about their bird business.

The other animals were our beloved dogs, including Juno the boxer who had been with us ever since I could remember, and a succession of others — Buster, a black pointer, who ran away, a bulldog called Belinda who bit my father, at least two gorgeous Bouviers, Casper and Gigi, from whom my mom bred a few litters. Watchdog duties were performed by the geese. I also always had a cat — Mischief, Peculiar, Malkat (mad cat) and then Afterthought, a pure white, blue-eyed, deaf albino who always came late for everything. For my eleventh Christmas, my best Christmas ever, my parents gave me a cremello-coloured, sweet-tempered gelding called Butterscotch. My younger brother, Ian, received a cheeky cross-Welsh pony called Prince, who was black with a white blaze. We would ride them for hours, bareback, in the garden, or saddled, through the surrounding countryside. They lived in the stables and paddock that my father and my uncle had built and fenced in the acre to the rear of the house. Every so often, we would wash the horses with apple-scented shampoo and set them free in the garden to graze on the greener grass in front of the house as a reward for their good behaviour under the hose.

Q. Please describe the scent, taste or feel of home.

As I look into that word-picture, I smell new-mown grass, wet dog, apple-scented horses, brown bread baking, my mother’s Lanvin perfume, and the fresh air that I took absolutely for granted then.

Q. Which object most evokes home for you?

A purring cat.

Q. Where do you feel you ‘properly belong’ now?

I do not know. But my cat is purring.



et cetera