Dawn-Noon-Midnight Quilt
Based on the Noon Quilt by trAce
One creative writing exercise we were set for our course (the Online MA in Creative Writing and New Media), a few weeks ago, was to experiment with the Noon Quilt idea.
Prof. Sue Thomas, who sets the exercises, told us that this was originally a trAce writing project which assembled 100-word patches from writers around the world to create “a quilt of noon-time impressions”. Apparently, trAce was later commissioned by the British Council to make two similar quilts—The Dawn Quilt for South Asia and The Road Quilt for Russia and Eastern Europe. Our exercise was: “Look out of a window on three occasions during the week, at Dawn, Noon, and Midnight, and describe exactly what you can see. If you find a story there, feel free to tell it. “
Timing my patches
Living in London, I’m never usually up at either dawn or midnight, (or I don’t notice when I am because there’s usually not much clue from the sky!) but for the sake of this exercise I made a special effort, even going so far as to get the exact rising and setting times for the Sun from http://www.timeanddate.com/worldclock/astronomy.html?n=136.
I found that doing it all in one day made for stronger links between the patches;a sense of a continuous narrative.
So this was the day:
Date: 4 Dec 2008
Sunrise: 07:48 Sunset: 15:53
Length of day: 8h 04m 53s Difference from the day before: − 1m 46s
Solar noon: 11:51 Altitude: 16.2° Distance (10E6 km): 147.428
Patch impressions
07:48
Through rain-spotted glass I see, no, feel, a grey sky. I see the white-rimmed eyes of human habitation staring across grim gardens. Here and there, a few glow with manufactured morning warmth. The sun is a secret. Inexplicably, the cloudy canvas lightens slightly. Stark winter trees stand against the grey, shivering in the meaningless wind. The flesh sags from my cheekbones as I imagine the cold wetness of the bark. I look back to the rows of neighbouring windows, but now all are dark and empty. The people inside have also become secrets.
11:51
The rain-spots have dried into dusty acid traces on the window panes. Beyond them, the dawn-dark trees are now shades of green, an eerie moss climbing high over their bare limbs. The day is undecided. Bemused grey clouds scud eastward in ragged retreat, like an army desperate for refuge. Between their broken ranks, blue sky flashes. Sunlight reaches through to caress our creamy walls, but will not stay to be touched. Cayenne chrysanthemums leap with the wind, but the evergreen jasmine next to them clings to the wall, stubbornly still.
23:59
All is still now. With little light behind it to highlight imperfections, the glass seems clear now. Peering through it, I see a calm sky, its starless blackness softened by the urban glow that horizons our silent mews. Nightlights gently bathe the courtyard’s high cream walls and peaceful plants. Some shadows linger, but they do not dart about or threaten. That invisible city beyond our nestling house seems benevolent tonight. It has vanquished the rain. The secret people have lit some lights again. Their warm windows tell me of throbbing hearts and Christmas hearths. Tonight, I can sleep.
Tia Azulay 04Dec08
Copyright © 2008 Tia Azulay
